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ONKWEHÓN:WE FESTIVAL 2019

 

Sunday June 30 – Main Stage

2PM – 3PM

The Sinquah Family Dance Troupe

 

The Sinquah Family Dance Troupe are Moontee Sinquah and his sons, Sampson and Scott

 

The Sinquah Family Dance Troupe are Hopi/Tewa/Choctaw nations, from the Hopi villages located in northern Arizona. The troupe consists of Moontee Sinquah and his sons, Sampson and Scott, all of whom are deeply rooted in the Hopi culture and tradition.They will tell you music is the medicine that allowed them to make a life that helped them endure and also educate and entertain people all over the world. In addition to music, they are World Champion Hoop Dancers; titles they hold humbly and with it seek to educate and entertain as much as possible.

The World Champion Hoop Dance contest is held annually at the Internationally-renowned Heard Museum in Phoenix Arizona. In addition to being World Champion Hoop Dancers, Moontee is a champion Grass Dancer, Scott is a champion Fancy War Dancer and Sampson is a champion Prairie Chicken Dancer in the USA and Canada. The Sinquah family are well known in the pow wow circuit and traveling internationally with other very talented musicians has brought an influence to their traditional and contemporary music and dance mix. They have preformed throughout Europe (Germany, Austria, Switzerland, Croatia, Slovenia, Italy and Denmark- Roskilde Festival); Malaysia; all across Canada (from the Vancouver Folk Fest to the Sky Dome in Toronto); and in the United States (1998 Olympics.Atlanta & 2002 Winter Olympics, Salt Lake City, Utah to the Grass Roots Festival, Trumansburg, New York 1997-2018).

The Sinquah Family Dance Troupe is an awe-inspiring, entertaining and educational family. Their ultimate goal is to inspire all youth to find a profession that will help their community.

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ONKWEHÓN:WE FESTIVAL 2019

 

Saturday June 29 & Sunday June 30 – Mohawk Village Memorial Park

9:30am – 4:30 pm

Archaeology

 

Ontario Archaeological Society and Archaeological Research Associates, Ltd.

 

Archaeology at the Woodland Cultural Centre is being undertaken as a pro-bono reconciliation project of the Ontario Archaeological Society and Archaeological Research Associates, Ltd. in partnership with the Woodland Cultural Centre, Save the Evidence Campaign and Mohawk Village Memorial Park.

Beginning in the spring of 2017, ARA and the OAS have managed the archaeological needs at the Woodland Cultural Centre and the Mohawk Village Memorial Park with volunteers from Six Nations, Mississaugas of the Credit, archaeological consulting firms, archaeological researchers and the general public.

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ONKWEHÓN:WE FESTIVAL 2019

 

Sunday June 30 – Main Stage

1pm – 2pm

James Wilson

 

Singer/Songwriter from Six Nations

 

James Wilson is a 21 year old singer/songwriter from the Six Nations of the Grand River. Wilson has performed at many venues and competitions around Canada and the United States. In 2017 he had the great opportunity to sing back-up for “Lorde” at the MMVA’s (Much Music Video Awards).

Currently Wilson is in the works of recording a full length album.

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ONKWEHÓN:WE FESTIVAL 2019

Friday June 28 – Main Stage

9pm-10pm

Lacey Hill

 

Folk, Blues, R&B ,Oneida Wolf Clan, Six Nations based Singer/Songwriter

 

A soulful musician, singer, and songwriter, Lacey Hill composes her music in Southern Ontario on the Six Nations of the Grand River reserve. She grew up “down the bush” (slang for ‘on the reserve’) where her passion for singing emerged when she was just a toddler. For over a decade Lacey has honed her talents singing back up vocals and cover songs with local bands. But she wanted more, and since 2013 has taken centre stage with her own original acoustic music that blends folk and blues. Currently, Lacey is booking shows and hustling her new sophomore album “M” (released Feb. 2017 and available on iTunes!), all while expanding her local fan bases in Six Nations, Hamilton,Toronto, and beyond by conducting half-a-dozen shows a month.

Some of her exciting accomplishments include: Planet IndigenUS Showcase at the Harbourfront Centre in Toronto, ON; JUNO Music Crawl in Hamilton, ON; The Red Ride Tour at Woodland Cultural Centre in Brantford, ON; And most recently, her own CD release part at Kanata Village, Six Nations, on Feb. 2018. Lacey’s new album “M” (528 Vol. 2), released Feb. ’17 is available everywhere digital music is sold.

 

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2019 Onkwehón:we Festival Schedule

June 28-30 at the Woodland Cultural Centre

 

Friday June 28th

 

Saturday June 29th

Sunday June 30th

  • 12 PM – 6 PM Vendor Village
  • 9:30 AM – 4:30 PM Archeology
    Archaeology site
  • 10 AM – 4 PM Mural painting workshop (Aboriginal Legal)
    Front Fence
  • 12 PM – 3 PM Clay bead & Moccasin workshop
    Workshop Tent *drop in activity*
  • 12 PM – 6PM SAIL: Art making activity
    *Drop In* – Silver Trailer
  • 1 PM – 2 PM James Wilson
    Main Stage

    James Wilson

  • 1 PM – 5PM Red Pepper Spectacle Arts
    Site Wide

    Red Pepper Spectacle Arts

  • 2 PM – 3 PM Sinquah Family Dance Troupe
    Main Stage

    The Sinquah Family Dance Troupe

  • 3 PM – 4 PM Gerry Burning
    Main Stage
  • 4 PM – 6 PM Smoke Dance Contest & Social Dancing (ft Andy Thomas)
    Main stage

    Andy Thomas

  • All day *drop in* Identifying Traditional plant medicines
    Silver Trailer

Posted by & filed under Workshops.

Fantastic news for attendees of the Onkwehón:we Festival! We are excited to announce that we will be hosting a Beaded Strawberry Pin Workshop!

This workshop will be facilitated by the talented Stevie Johnathan. You can check out their phenomenal work on their page, Yohskats Art & Design

Where: Woodland Cultural Centre
When: Saturday June 29, 3:30-7:30pm
How: Snag your spot for $25*

For more information or to register, call (519) 759-2650 or email Jessie Hill at frontdesk@woodlandculturalcentre.ca

*Non-refundable

 

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(At the New Hamburg Mennonite Relief Sale, representatives from Mennonite Central Committee Mennonite Disaster Service, and Woodland Cultural Centre started an important step on the road to promoting reconciliation, healing and awareness by signing an agreement to work together on the Save the Evidence Project. Pictured left to right John Head, Executive Director of MCC Ontario, Nick Hamm (MDS ON Unit Chair), Carley Gallant (Save the Evidence Coordinator) from Woodland Cultural Centre). Photo credit: Jesse Bergen

 

May 22, 2019

For Immediate Release

Joint MCC, MDS project to promote healing, reconciliation with Indigenous Canadians

Project at former Mohawk Residential School in Brantford, Ont. “not a typical disaster response”

A joint release from MCC, MDS Canada, Woodland Cultural Centre
BRANTFORD, Ont. — How do you repair a disaster 142 years in the making? For Mennonite
Disaster Service (MDS) Canada and Mennonite Central Committee (MCC), it will happen one
desk, one table, and one bench at a time.

This summer, the two organizations will be working together with the Woodland Cultural
Centre to help in the restoration of the former Mohawk Residential School in Brantford, Ont.
“It’s not a typical MDS disaster response,” says Nick Hamm, chair of the Ontario unit. “But
Residential Schools were a disaster for Canada’s Indigenous people.”
Through the project, “we can play a small role in promoting reconciliation and healing, and also
promote awareness to volunteers about what happened there . . . the building represents so
many horrors.”

During its time of operation from 1828 to 1970, thousands of Indigenous children were sent to
the school—separated from their families, stripped of their heritage and not allowed to use
their language. Some were physically, sexually, and psychologically abused.
When it closed, the school and lands were returned to the Six Nations of the Grand River, which
opened the Woodland Cultural Centre in 1972. In 2014, after a storm severely damaged the
building, the community was asked whether to tear it down or save it. An overwhelming
majority voted to restore it, launching a fundraising campaign titled “Save the Evidence.”
Through the campaign, grants for major repairs were received from various levels of
government. But assistance was still needed to complete exhibits for the Centre.

In 2016, Woodlands asked MCC if it could help. “We were honoured to receive the request, and
asked MDS to partner with us,” says Lyndsay Mollins Koene, who coordinates MCC’s Ontario
Indigenous Neighbours program. “We’re so glad they’ve come alongside.”
During the four-week project, which starts in July, youth groups from Ontario and B.C. will build
desks for a representative classroom where children studied, and the benches and tables for

the dining room where they ate. They will also help repair and organize the return move of the
Centre’s research library.
MDS is supplying the volunteers; MCC will assist with cultural orientation, along with funding
the cost of the materials.

“The project is steeped in a story we are a part of,” says Mollins Koene, noting Mennonites
founded and ran three residential schools in Northwestern Ontario.
Through the project, MCC and MDS are inviting its constituent churches “to work as part of a
story that talks about a colonial history that is still part of Canada today,” she adds, noting
Woodland Cultural Centre “has extended a hand to us to be members of a three-way
partnership.”

For Carley Gallant-Jenkins, Outreach Coordinator at Woodland, it’s “very important to us to
have MCC and MDS alongside, offering their support and services.”
After almost five years of work, “we are finally seeing the end in sight,” she says, adding the
assistance from MCC and MDS “will help us get back into the building.”
She’s excited about the contribution from the MDS volunteers.
“The furniture will help set the tone for the space, showing what it was like when children were
sent there,” Gallant-Jenkins says. The dining hall restoration will be particularly poignant. “Siblings who were sent to the school
were separated. In the dining hall, they couldn’t talk to each other, but at least they could see
each other from a distance,” she shares. In addition to the work, volunteers will get a chance to assist with an archeological dig taking
place on the grounds of the school. “That will make the experience even richer,” says Gallant-Jenkins. “Imagine what it will be like
to find something that once belonged to a student, a coin, a button or something else.”
Along with the work, volunteers will participate in cultural and historical orientations, and also
meet survivors. “They are hard stories to hear, but so important if we are to move forward together,” she
shares. Adds Mollins Koene: “The project is more than restoring a building. It’s about restoring
relationships between Nations, and between individuals.”

The first group of weekly youth volunteers, from Kitchener’s Stirling Avenue and St. Jacobs
Mennonite churches, arrives July 7, followed by youth from the Listowel and Elimira, Ont.

Mennonite churches, Emmanuel Mennonite Church in Abbotsford, B.C., and the Toronto
Chinese Mennonite Church.

– 30 –

For more information about Woodland Cultural Centre or the MCC/MDS project, contact:
Carley Gallant-Jenkins, Woodland Cultural Centre, 519-759-2650, cgallant@woodlandculturalcentre.ca
Lyndsay Mollins Koene, MCC, 705-264-2494, lyndsaymollinskoene@mcco.ca
Nick Hamm, MDS Canada, 905-401-3990, hammnicholas.mds@outlook.com

Posted by & filed under Archives, Book Reviews.

The Creator’s Game: Lacrosse, Identity, and Indigenous Nationhood

A review by Virve Wiland, WCC Librarian

 

Here I am, the reader of the book “The Creator’s Game” – Lacrosse, thinking I am being given an insight into the history of Indigenous Lacrosse.  What I am really being given is an insight into how Lacrosse helped to bring Indigenous nations together and provide them with a doorway to “Identity and Indigenous Nationhood”.

Allan tells us his personal story as an intergenerational Survivor of Residential Schools; some trickster tales; how Canada appropriated Lacrosse as its National Sport; and how Lacrosse gave Indigenous Nations a powerful tool for reunification and went way beyond to demand sovereignty on the world stage.

The claim that Lacrosse represented a civilized Canadian identity became so pervasive that it was used as an assimilation tool to further cultural genocide at Residential Schools.

In his last chapter Allan Downey explains that he decided not to cover ceremonial games in this book.  “I and the mentors with whom I worked shared only what we wanted to share.  So much has been taken from our communities that I wanted to start giving some of the stories back”.

Allan Downey will be giving a lecture at Laurier Brantford in October 2019 to support the Save the Evidence Campaign in fundraising to repair the former Mohawk Institute Residential School building.  We hope that many of you Lacrosse enthusiasts will come out to hear Allan’s story.  Keep an eye on this website for details.

 

You can purchase a copy of The Creator’s Game from Good Minds

 

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You could help us win $10,000!

June is #GivingChallengeCA and EVERY DOLLAR donated to Save the Evidence via givingchallenge.ca or canadahelps.org automatically gives us a chance to win a $10,000 donation.

Donating has never been easier – go directly to our page and donate today by clicking these links:

canadahelps.org or givingchallenge.ca

 

Or simply follow these steps below!

– Go to canadahelps.org or givingchallenge.ca
– Type in the search bar “Woodland Cultural Centre”
– Click “Woodland Cultural Centre”
– Click the “donate” button

We can’t do this without your support!

Help Us Win $10,000

 

If you would like to organize a fundraising event, or make a contribution to our Save the Evidence campaign at any time, please contact our Save the Evidence Coordinator Carley Gallant-Jenkins at ste@woodlandculturalcentre.ca. You can also donate online at CanadaHelps.org